Give your beats a voice of their own. Record five to ten clear seconds, set up your voice, then turn a fresh line into a melodic producer tag.
LET YOUR NATURAL TONE COME THROUGH
I'm checking my voice, one, two. I make each beat with care, and this is the sound I want you to hear.
Keep a steady tone and a clear, dry sound. Sing a short line if you want a melodic tag.
Press record when you are ready. The take stops at ten seconds.
Sign in to save your voice. Your current recording stays on this page.
You have not added a voice yet. Record or upload a short, clear sample above to make a sound that belongs to you.
Give the voice a clear role
Before you clone your own voice, decide what the tag should do in the track. A quiet name line, a short sung hook and an energetic call each need a different delivery. Use these ideas to plan a sample and phrase you can test, not as promises of a specific result.
An open intro gives a soft voice more room. Try a short name line with a simple rise or fall in pitch. Keep the source take calm and clear, then judge how the new audio sits with the first chord. If the clip carries too much tune for the track, change the phrase or try the regular spoken tag tool instead.
A brief sung line can mark the move from an intro to a verse or from a break to the next beat. Pick words that are easy to stretch without losing the name. Leave time for the line to finish before the next vocal starts. Check that the pitch fits the music, and trim the exported file to the space you have.
For a bold tag, the words can stay short while the delivery carries the energy. Start with a clear sample instead of shouting into the mic. A clipped recording gives you less to work with. Ask for a new line that suits the track, then compare it at a fair level. More volume alone will not make the voice feel stronger.
Start with the voice you know
A producer tag voice clone starts with a short sample you record or upload. The sample helps shape a voice you can use for new tags. This flow makes melodic or sung audio, so plan for a musical line rather than an exact copy of plain speech. Listen to each result before you use it.
Choose the mic tab to record in this page, or use the upload tab for a clip you already have. Aim for five to ten seconds of clear voice with little room noise. Keep the file under ten megabytes. A quiet room and a steady distance from the mic help you judge the sample before you choose to start voice setup.
Play the local preview from start to end. Listen for clipped words, pops, loud breaths and music in the background. If the take sounds rough, record another one before you start. Previewing a sample does not submit it for voice setup. The file leaves the local preview flow only when you choose the explicit start action for processing.
Use your own voice or a voice you have clear permission to use. The setup includes a consent check and a separate proof recording. Read the phrase shown in that step, rather than reusing the first clip. This extra take supports the voice check. It does not replace permission from the speaker or give you rights to someone else’s name or work.
To make a tag in your own voice, start with a phrase that can carry a little tune. A name, a short call or a few simple words can be easier to judge than a long line. The new audio may change pitch, timing and tone. Do not expect a word-for-word spoken copy or a perfect match to every detail of the sample.
Give the voice a name you will recognize later. Your account keeps the voice name and setup status so you can see whether it is ready for a tag. A saved profile is not the same thing as a saved audio file. Check the status before you start a new task, and keep a short note about the sample you chose.
Play the finished clip in the result area, then use the download menu to choose a file. The browser keeps a local audio copy when storage is available. That can help after a refresh, but it will not follow you to every device. Put a downloaded version in your project folder before clearing site data or switching to another browser.
A better starting take
Voice setup works from the clip you choose, so give that first take some care. The page lets you listen before you start and follow the check in clear steps. Treat the sample, the new words and the final mix as separate choices you can judge with your own ears.
01 / 03
Choose a quiet room and turn off music, fans and other loud sounds if you can. Keep the mic at a steady distance. Speak or sing at a natural level that suits the tag you want to make. Play the sample back once and listen to the start and end as well as the middle. A short, clean take is more useful than a long file with room noise, clipping or several people talking at once.
Start with my voice02 / 03
A short phrase is easier to place and easier to judge. Start with your name and a few words that feel natural to say. Keep in mind that this flow makes melodic or sung tags. The timing may differ from a spoken read, so leave room in your track and listen to the whole line before choosing a take.
Start with my voice03 / 03
Play the tag over the part of the beat where it will sit. Listen for a clear name and a pitch that works with the music. Check the tail before the next strong hit. The sample may feel familiar while the new line still needs editing. Use the downloaded file to trim space and set its level in your music app.
Start with my voiceSample studio notes
These example reviews have fictional names and imagined workflows. They illustrate choices a creator could make; they are not verified reviews, user results or proof of voice likeness.
Example review
I would start with a calm sample in a quiet room, then listen for the words at the start and end. A clean take gives me a better point to judge the musical line I make next.
Sofia Bennett
Singer and producer
Example review
I would use the local preview to catch a clipped word or a loud breath before starting setup. If the take needs work, I can replace it and keep the next step focused on a clearer sample.
Daniel Brooks
Vocal editor
Example review
I would give each voice setup a name that describes the take. That makes the status easier to check later and helps me remember which sample I used when I return to make a new tag.
Lina Torres
Home studio artist
From your sample to a new line
The voice setup and the tag task are two separate steps. First, prepare a sample and complete the voice check. Then use a ready voice to request a new line. Both steps show their cost before you choose to start. You can test the local recording controls before sending a sample.
Select a five-to-ten-second clip under ten megabytes, or record a new take in the page. Use a voice you have permission to use and play the preview once. Replace the sample if you hear noise or clipped words. The preview stays local until you choose to start the processing step, so use this chance to check that you picked the right file.
Sign in, name the voice and confirm the sample permission. Starting voice setup uses five credits. Follow the separate proof-recording step and submit the phrase shown there. Keep an eye on the setup status rather than sending the same take several times. The account stores the voice name and status so you can return and see whether it is ready for use.
Choose the ready voice, enter a short phrase and start a tag task for five credits. Wait for the result, then hear it from start to end. This is a melodic voice flow, so check the pitch and pace as well as the name. Download a useful take into your music project. Keep that copy even if the result also appears in the browser library.
Two clear costs
Previewing a recording is different from starting paid processing. You can listen to the sample and replace it before you submit. Voice setup and each new tag use separate credits. Read the cost at the action you choose so you know which step you are about to start.
5
A new voice setup uses five credits and includes the proof-recording flow. Choose a clear sample before starting this step. A profile lets you track that voice by name and status, but it is not a promise of exact likeness. Listen carefully to later tags and keep your expectations tied to what you can hear in the actual result.
5
Once a voice is ready, each new tag request uses another five credits. Changing the phrase and making a fresh take starts a new task. Plan a short line, check its spelling and decide where it will sit in the beat first. That gives the next result a clear purpose and makes it easier to decide whether to keep it.
1 + 2
The regular voice tag page offers one guest generation and two more after sign-in, up to three per day. That trial is for its standard spoken voices. It does not cover voice clone setup or melodic tags on this page. If you need a plain spoken line, try that tool before choosing a voice clone task.
Your sample, with a clear next step
A producer tag voice clone needs a sample you are allowed to use. The local preview gives you a chance to check that sample before processing starts. Your account can keep the voice name and status, while finished audio is kept in this browser. Those are different kinds of storage, and neither replaces a downloaded project copy.
Before you record
The sample, the proof step and the final tag each have a different role. These answers explain the main limits and choices so you can decide whether a melodic voice tag fits the sound you need. Read them before you start a paid setup or a new audio task.
This flow is for melodic or sung tags. It does not promise plain speech or an exact match to your sample. Pitch, pace and tone can change. If you need a simple spoken name with a standard voice, the regular voice tag tool is the better place to start.
Use a clear clip of five to ten seconds and keep the file under ten megabytes. Record one voice in a quiet space with no music behind it. Play the preview and replace the take if it clips, cuts off a word or contains other people talking.
Voice setup asks for a separate take of a phrase shown during the check. Use the same speaker and read that phrase clearly. This is a distinct step from the first sample. You still need the right to use the voice; the check does not grant permission on its own.
A new voice setup uses five credits. After the voice is ready, each new tag request uses five more. Local preview does not start either paid task. The standard spoken-tag trial on the regular voice page is separate and does not cover these steps.
Your account keeps the voice name and setup status. Finished audio is saved in the current browser when local storage is available. It is not an account-wide cloud audio library. Download your files before clearing site data, using another device or leaving private mode.
Use another person’s voice only when you have clear permission for this use. Do not treat a public recording as permission to clone the speaker. Consent and proof checks are part of the flow, but they do not create a license or settle ownership of a voice or source recording.
Record or choose a short sample, listen to it and decide whether a melodic tag fits your track. When you are ready, complete the voice check and make a short line. Keep the result you like as a downloaded file with the rest of your music project.
